After 1965 : Historical Violence and Strategies of Representation in Indonesian Visual Arts – Wulan Dirgantoro / Setelah 1965 : Sejarah Kekerasan dan Strategi Representasi dalam Seni Rupa Indonesia

cover dari pameran Dadang Christanto ‘Missing’ yang berlangsung di Wei-Ling Gallery Kuala Lumpur

ada dua pembicara dalam diskusi Indonesian Cultural Memory, Media, and Visual Arts in the wake of 1965, presentasi Wulan Dirgantoro dimulai dari menit 25

After 1965 : Historical Violence and Strategies of Representation in Indonesian Visual Arts

Wulan Dirgantoro, Lecturer in Art History and Curatorship, The University of Melbourne

The presentation will reflect on the issues surrounding the representation of historical violence in the practices of artists such as Tintin Wulia (b. 1971), Yaya Sung (b. 1982), Dadang Christanto (b. 1957) and Rangga Purbaya (b. 1976). The term ‘After 1965’ is used to describe the impact of historical violence on aesthetic practices of Indonesian contemporary artists. Scholars have noted that Indonesian visual artists drawn their inspiration from historical, cultural and sociopolitical changes, both visually and conceptually. However, little attention has been paid about the aesthetic impact of these changes on the art works.

Drawing from Astrid Erll’s notion of ‘transcultural memory’ (2011, 2019), the presentation will discuss how memory travels and its locatedness not only shaped and mediated memory but also produces dynamic tension that takes place in the interconnected processes of creation, transmission, and reception (Erll et al. 2019) through the artworks. The presentation will examine transcultural memory as it operates on the three levels of the narrated, narration, and reception process in the works of these Indonesian artists. The diasporic and transgenerational perspective of artists produce artworks that simultaneously functions epistemologically (as a means of comprehending) and therapeutically (as a means of coping) of the historical violence.

Penggalian Kembali – Karya Instalasi Semsar Siahaan

1001 Martian Homes : Permenungan dan Imajinasi Tintin Wulia IniBermula Dari ‘Hilangnya’ Sang Kakek di Tahun 1965 

Tintin Wulia Exhibition : Subtext – after Kawara’s Title, 1965 (2019) #1965setiaphari #living1965 

Dadang Christanto1965 Artspace : Kehilangan, Trauma Hingga Protes dan Memorialisasi Genosida1965-1966 

Dadang Christanto : Genocide 1965-1966 [IN RED; DARAH ITU MASIH SEGAR JENDERAL] 

Dadang Christanto : Indonesia Genocide and  Painted Black on Their Faces [Pameran Online]

Dadang Christanto : Genocide, Heads from the North and Buriedin the Beach 

[pameran online] Investigasi Boentardjo : Menarasikan Sejarah Melalui Seni. *Pencarian Rangga Purbaya Atas ‘Hilangnya’ Sang Kakek, Pengurus Barisan Tani Indonesia 

Rangga Purbaya : Surat Kepada Seseorang Yang Hilang/Letter To TheLost One (pameran online)

From silence to speech…. : Kajian-kajian Wulan Dirgantoro Terkait Seni Visual, Ingatan, Trauma dan 1965-1966

From silence to speech…. : Kajian-kajian Wulan Dirgantoro Terkait Seni Visual, Ingatan, Trauma dan 1965-1966

simak pula

Simposium ‘Living 1965: Creative Practices and the Future of 1965 Indonesia’.. “56 tahun setelah pembunuhan massal 1965-66 , bagaimana seniman meninjau ingatan kolektif tentangnya?”

Simposium ‘Living 1965: Creative Practices and the Future of 1965 Indonesia’.. “56 tahun setelah pembunuhan massal 1965-66 , bagaimana seniman meninjau ingatan kolektif tentangnya?”

Indonesian Visual Art Archive on Massacre 1965-1966 – Arsip Seni Visual Genosida 1965-1966

Indonesian Visual Art Archive on Massacre 1965-1966 – Arsip Seni Visual Genosida 1965-1966

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